Make text bigger  Make text smaller  Toggle background color  Bookmark/Share

Odds’n'ends (lost time is not found again) | Michael Tomasky


HEADLINE FEED // [READ THE FULL ARTICLE HERE]

Here is a rather vicious attack on Rich Rod from a cbssports.com analyst. It seems that Michigan’s worst back-to-back seasons in nearly 50 years are … Lloyd Carr’s fault!
 
Here is a video of one of the more interesting trick plays you’ll ever see, from a Nov. 14 game between two small colleges. The no-look pass. And yes, this is football, not basketball.
 
Apropos the headline, you are aware by now I assume that Bob Dylan is releasing a Christmas album. I haven’t been able to bring myself to listen to any of the released track snippets. Please don’t tell me.
 
As one of you pointed out last re my Fox News doctored-footage video, I misspoke when discussing which events Fox had fibbed about. I said the 9-12 tea party march and a recent Palin book-tour event. It was actually the Michelle Bachmann Capitol Hill event and a Palin book-tour stop. Sorry about that. As for our joke footage, we were originally hoping to use footage of girls screaming at the Beatles, which I think would have been pretty hilarious. But we weren’t allowed. The redoubtable Glenn, our video man, did quite nicely under the circumstances with the “soccer” footage.


guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds




Susan Boyle: I Dreamed a Dream | CD review


HEADLINE FEED // [READ THE FULL ARTICLE HERE]

The Subo circus leads from Britain’s Got Talent, to YouTube phenomenon, via a pitstop at the Priory… to a surprisingly subtle debut album

When is a record not a record? When it is a souvenir of a phenomenon. Weeks ahead of release, Susan Boyle’s debut album has topped Amazon’s pre-sale charts. Boyle is the church mouse who roared on Britain’s Got Talent last spring, turning the tables on judges and audience members disdainful that a woman over 25 blithe to the rigours of Botox should open her mouth in public. A viral pandemic on YouTube made the Scottish fortysomething an international star. This is her dream come true, we are told; never mind that the whirlwind taking her from West Lothian to happy ever after has already landed this psychologically delicate woman in the Priory.

This, then, is no mere bunch of songs; it is a commemorative mug of a major national event, rendered as a silver gewgaw that plays music. It would be instructive to see a Venn diagram showing the overlap between purchasers of I Dreamed a Dream and those buying Lady Gaga’s album, The Fame Monster. Or, indeed, the overlap between SuBo and any other record at all. Just for a moment, let’s pretend this is a CD. Boyle’s signature tune, “I Dreamed a Dream”, is largely unaltered from her rendition on Britain’s Got Talent, as is “Cry Me a River”. That great standard of the Christian tradition, “Amazing Grace”, ably anchors the mid-section.

Britain’s favourite hymn, “How Great Thou Art”, comes straight out of Songs of Praise, and the prize ring of a Christmas No 1 is clinched by “Silent Night”. In a world where Leona Lewis does Snow Patrol, curveball covers are no surprise, but Boyle’s spartan version of the Rolling Stones’ “Wild Horses” is no travesty. Gospel-tinged and shivery, “Up to the Mountain” is a bigger shock. Patty Griffin’s original alludes to Martin Luther King. You suspect Boyle got it from Simon Cowell, who heard Kelly Clarkson do it on American Idol. The very best thing about I Dreamed a Dream is that Boyle is mercifully restrained throughout. A little vibrato is as close as she comes to over-emoting.

A more fitting end to Britain’s Got Talent would have seen Boyle kebabbing the judges and burning down the whole cruel, exploitative edifice with her telekinetic powers, like Stephen King’s Carrie. As it is, you can only hope that her success will make Susan Boyle happy and that the fame monster doesn’t eat her up.


guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds




Oprah Winfrey to announce her talkshow is ending


HEADLINE FEED // [READ THE FULL ARTICLE HERE]

Ratings powerhouse to close in 2011, allowing Oprah to concentrate on her own cable channel

After more than 20 years in which Oprah Winfrey shook up the medium of the daytime talkshow, rising to become a ratings and cultural powerhouse, she is to announce today that she is bringing her show to an end.

Yesterday she told her 600 staff in Chicago that the Oprah Winfrey show would end in September 2011. That will be its 25th season, after it was first broadcast to the US in 1986.

Since then, the show has grown to become the most successful talkshow in syndication, with about 7 million viewers each day. Winfrey’s own standing has risen with it – confirmed last year when she became a key figure behind the political success of Barack Obama.

Tim Bennett, president of her production company Harpo (Oprah spelt backwards), wrote to advertisers on the syndicated show to say: “Tomorrow, Oprah will announce live on the show that she has decided to end what is arguably one of the most popular, influential and enduring programmes in television history.”

It soon became clear however that the announcement would not represent Winfrey’s demise as a media superstar so much as her metamorphosis under a new guise. The most credible explanation for her decision to close such a fabulously successful programme was that she intends to transfer her energies to her own forthcoming cable channel.

The channel, appropriately called OWN for the Oprah Winfrey Network, is expected to launch in January 2011, some nine months before her syndicated talk show goes off air.

In its 23 years, the Oprah Winfrey Show has dominated daytime television and turned its presenter into not just a celebrity, but a brand in her own right. A sign of its cultural hegemony is that it can be understandably referred to with the use of a single letter — O.

On the back of it, Winfrey has come to be a major presence in book publishing, through her book club, and even in cinema, as was demonstrated this month with the release of the film Precious, which she co-produced.

Over time Winfrey has made the contents of the show more sophisticated and sympathetic, moving away from its sensationalist beginnings to an exploration of spirituality and community which has proved popular particularly with women.

She has by coincidence or design made the bombshell announcement at a very opportune moment. Her hour-long interview with Sarah Palin this week pushed her ratings up to a two-year high.

Her show’s success has also depended on her ability to pierce through the PR armour of celebrities and reveal inner conflicts. Most famously, Tom Cruise displayed another side of himself when in May 2005 he hopped around the set declaring his love for Katie Holmes. In 1993, Michael Jackson appeared on the show to denounce his critics and declare he had the skin pigment disorder vitiligo.

Yet Winfrey also covered regular stories of ordinary people surviving extraordinary catastrophes. One of her favourite guests was Jacqueline Saburido, a burns survivor from a car crash; in similar vein she recently interviewed Charla Nash, who had severe facial damage after she was attacked by her friend’s pet chimpanzee.


guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds




NME’s top 50 albums of the noughties revealed


HEADLINE FEED // [READ THE FULL ARTICLE HERE]

• The Strokes take top spot in NME list with Is This It
• Libertines debut Up the Bracket is highest British entry
Datablog: get the list as a spreadsheet

New York rockers the Strokes have topped a list of the best albums of the decade, beating British indie stars – and tabloid darlings – the Libertines into second place.

Pete Doherty and Carl Barat’s former band are hailed for their debut album Up the Bracket but it is the Strokes’ first release Is This It that takes top spot in best 50 list compiled by NME.

Primal Scream’s xtrmntr takes third place in a top 10 dominated by guitar-led rock acts.

Bands such as Radiohead and Arctic Monkeys, plus record producers and label bosses, were among those who voted.

The Strokes’ lead singer Julian Casablancas said of his band’s success: “Does it mean it’s a good musical decade or a bad musical decade? I don’t know, I’m such a bad judge of my own stuff. But I thought it was great when I heard.

“Recording the album was fun. It was stressing, it was exciting. I don’t want to get carried away, but I’m pretty damn psyched with myself.”

Both the Strokes and the Libertines have been heavily championed by the magazine over the years.

Is This It, which featured a suggestive image of a naked model wearing a black vinyl glove, was one of the most acclaimed albums of the year when it was released in 2001. Many saw it as a return to the sound of late 1970s New York, evoking bands such as Television.

The Libertines’ first release came out in 2002, with their raw, punky tracks – produced by the Clash’s Mick Jones – winning an army of young fans. But drug-related fall-outs meant the band had all but fallen apart by the time their follow-up appeared in 2004.

Since then Doherty – who now styles himself Peter – went on to form Babyshambles and established a solo career, while fellow Libertines songwriter Carl Barat led Dirty Pretty Things, although both have talked about reviving the band.

The Libertines’ second, self-titled release also makes NME’s top 50.

The year 2002 is the most well-represented in the list with eight albums, including releases by Interpol, the Streets and Queens of the Stone Age.

NME editor Krissi Murison said: “This is the definitive word on the greatest albums of the noughties – as voted for by everyone who helped make music brilliant this decade.”

NME’s top 50 albums of the decade

1. The Strokes – Is This It

2. The Libertines – Up the Bracket

3. Primal Scream – xtrmntr

4. Arctic Monkeys – Whatever People Say I Am, That’s What I’m Not

5. Yeah Yeah Yeahs – Fever to Tell

6. PJ Harvey – Stories from the City, Stories from the Sea

7. Arcade Fire – Funeral

8. Interpol – Turn On the Bright Lights

9. The Streets – Original Pirate Material

10. Radiohead – In Rainbows

11. At The Drive In – Relationship of Command

12. LCD Soundsystem – The Sound of Silver

13. The Shins – Wincing the Night Away

14. Radiohead – Kid A

15. Queens Of The Stone Age – Songs for the Deaf

16. The Streets – A Grand Don’t Come for Free

17. Sufjan Stevens – Illinoise

18. The White Stripes – Elephant

19. The White Stripes – White Blood Cells

20. Blur – Think Tank

21. The Coral – The Coral

22. Jay-Z – The Blueprint

23. Klaxons – Myths of the Near Future

24. The Libertines – The Libertines

25. Rapture – Echoes

26. Dizzee Rascal – Boy in Da Corner

27. Amy Winehouse – Back to Black

28. Johnny Cash – Man Comes Around

29. Super Furry Animals – Rings Around the World

30. Elbow – Asleep In the Back

31. Bright Eyes – I’m Wide Awake, It’s Morning

32. Yeah Yeah Yeahs – Show Your Bones

33. Arcade Fire – Neon Bible

34. Grandaddy – The Sophtware Slump

35. Babyshambles – Down in Albion

36. Spirtualized – Let It Come Down

37. The Knife – Silent Shout

38. Bloc Party – Silent Alarm

39. Crystal Castles – Crystal Castles

40. Ryan Adams – Gold

41. Wild Beasts – Two Dancers

42. Vampire Weekend – Vampire Weekend

43. Wilco – Yankee Hotel Foxtrot

44. Outkast – Loveboxxx/The Love Below

45. Avalanches – Since I Left You

46. Delgados – The Great Eastern

47. Brendan Benson – Lapalco

48. Walkmen – Bows and Arrows

49. Muse – Absolution

50. MIA – Arular


guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds




Andrew Lloyd Webber back in hospital


HEADLINE FEED // [READ THE FULL ARTICLE HERE]

Andrew Lloyd Webber has been re-admitted to hospital after developing a “chronic infection” following surgery for prostate cancer.

A statement on the composer’s website said that although the operation was a success, the infection needs immediate treatment.

His spokesmen said last month that the cancer was in its early stages and he hoped to return to work before the end of the year. But an update on his website said he now hoped to be back in the New Year.

The statement, posted last night, said: “Andrew has been re-admitted to hospital tonight following his operation for prostate cancer.

“He has been advised that while the operation was entirely successful, he has developed a post-operative ‘chronic infection’ which needs immediate treatment. He still hopes to be back at work in the New Year.”

Lloyd Webber, 61, is best known for his West End musicals, including Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, Evita, Starlight Express and The Phantom of the Opera.

Last month he launched the long-awaited sequel to Phantom, Love Never Dies, at Her Majesty’s theatre in London.

Phantom, which has been seen by some 100 million people worldwide, opened 23 years ago.

Prostate cancer affects around 35,000 men in the UK each year and kills just over 10,000.

The disease is the most common cancer in British men, accounting for a quarter of all new cases.

The cancer mainly affects men over the age of 50, with symptoms that can include pain in the lower back, pelvis and hips.

It is understood Lloyd Webber was diagnosed with the cancer in the past few weeks and he has now been admitted to hospital for a few days for treatment.

Rehearsals for Love Never Dies are due to begin in January. Next year, Lloyd Webber is also to launch a television show to find a Dorothy and Toto for a new theatrical production of The Wizard of Oz.

He has already taken part in three BBC series, to find leads for the West End musicals How Do You Solve a Problem Like Maria?, Any Dream Will Do and Oliver!

Lloyd Webber owns seven West End theatres, including the Theatre Royal Drury Lane and the London Palladium.


guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds